. It was about a band from Egypt, the Alexandria Ceremonial Police Orchestra, who have been asked to perform at the cultural center in Petah Tikvah, Israel but they end up in the similarly named but small and uneventful town of Bet Hatikvah. When asking for directions, they meet Dina (Chilina Kennedy), Papi (Adam Gabay), and Itzik (Pomme Koch) at Dina’s cafe. She decides the town will take them in until they can catch a bus in the morning, but the night is more eventful than anyone had expected. This show is about life-changing experiences, perceptions of importance, and unexpected connections. I think this is a gorgeous show. It has amazing actors and beautiful songs. This is one of my new favorite musicals.
Band members Simon (James Rana) and Camal (Ronnie Malley) stay in Itzik’s house with his wife, Iris (Kendal Hartse), father-in-law, Avrum (David Studwell), and baby son. At first, the family seems abrasive, but in sharing stories, they all begin to bond. The first time you see them starting to connect is in the song “The Beat of Your Heart,” in which Avrum talks about how he first met his wife and how they fell in love through music. It made them all realize that they are much less different than they had thought at first, even though Itzik’s family is Jewish and the Egyptians are Arabs. They rejoice in music and their love of love: “In love and music all is fair.” Eventually Simon’s concerto will bring the family back together; that seems to be the development of the idea of how music provokes love and builds stronger bonds. Camal’s path also leads him to the Telephone Guy (Mike Cefalo), a local who had been waiting for his girlfriend to call him for a very long time and has been standing in front of the payphone waiting. He is there to show how important feeling important to someone is. This story is impactful because it shows how people change each other through their connections with one another, and the Telephone Guy is the symbol of that desire to connect.
There was also a scene at a disco roller rink where Haled (Joe Joseph) from the band tags along on a double date–with Papi and Julia (Sara Kapner) and Zelger (Or Schraiber) and Anna (Jennifer Apple)–but ends up being a wingman for Papi. He sings a song, “Haled’s Song about Love,” about love to convince Papi that it is not so hard a thing to talk to girls, even though Papi has just expressed, in “Papi Hears the Ocean,” that he feels that it is impossible to talk to women without having major panic attacks. It was a very funny scene. I loved how they took something like a disco roller rink, which is not considered very romantic, and turned it into a place of intense romance. Haled is a ladies’ man. He knows how to seduce straight women with his voice and presence. He seems to walk around in a romanticized world and he doesn’t seem to think about the future. He thinks about right now and what he wants now. The play seems to value fleeting connections because they can destroy prejudice even if it is a connection that can’t last for a long time.
Tewfiq (Sasson Gabay) and Haled have gone home with Dina. Dina is interested in Tewfiq and so she invites him to go with her on a night out. She’s interested in him because he is very stoic and is exotic to her. She sings a song called “Omar Sharif” about all the old Egyptian movies she used to watch. She was transported by these movies that played on Friday nights to an intoxicating world of honey, spice, and jasmine. This is such a beautiful song and was done impeccably–the singing, acting, and movement. It showed how much these characters agreed on and how much they could trust each other, even though they hadn’t known each other very long. Another moment where you really got to see the specialness of their relationship was when they were sitting on a park bench and Dina wanted to know more about conducting and why he loved it so much. Tewfiq started conducting and she started to follow along. For a little bit there was no sound, just them moving together. Throughout the play the movement is all very purposeful. It makes every moment feel significant because everything has clear purpose and meaning. The play actually begins with the projected statement “Not long ago a group of musicians came to Israel from Egypt. You probably didn’t hear about it. It wasn’t very important.” But the way the play is made completely contradicts that by making every connection memorable.